written by art historian & curator Mihaela Manolche
The Early Renaissance in Florence was more than just a period of artistic flourishing; it was a watershed moment in the history of visual culture. The way people perceived and represented the world underwent a profound transformation, driven by a confluence of artistic innovation, philosophical inquiry, and scientific curiosity. At the heart of this revolution was a reimagining of vision, moving away from symbolic representation towards a more naturalistic and intellectually grounded approach.
Prior to the Renaissance, medieval art served primarily as a vehicle for religious instruction and spiritual contemplation. Visual representation often prioritised symbolic meaning over optical accuracy. Figures were stylised, spatial relationships were dictated by theological hierarchy, and the concept of a unified, consistent viewpoint was largely absent. In essence, medieval vision was more about inner, spiritual sight than the external, physical act of seeing.
However, the burgeoning humanist movement of the 14th and 15th centuries fostered a renewed interest in the classical world, emphasizing human reason and the individual’s capacity to understand and shape their environment. This intellectual shift had a profound impact on artistic practice, leading to a radical…
